AFRICA IN PLAIN SIGHT

Love, before there were shops and salons and studios queuing up for their own adhesive, there was simply this — the continent, framed in imperfect gold, unapologetic about its own centrality. Call it the foundational visual, call it the ledger entry from which every other design in this collection draws its balance.

I do not execrate imperfection; I execrate pretending it isn't there. The gold circle is deliberately uneven, because history rarely arrives symmetrical.

What ships is high-resolution and properly finished; what you're squinting at now has been blurred on purpose, for reasons I trust you've already discombobulated your way into understanding.

— P.S.C.